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opensource

Perhaps all the problems we are having with the Cyber Resilience Act (CRA) arise from a misunderstanding of specialist language used by an academic evolving into an imperfect use of the term “commercial” in the exclusion of open source from the CRA? A shipping container standing on one corner, seen in the centre of a Brussels roundabout

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You're not going to fix Europe's proposed Cyber Resilience Act (CRA) by defining “commercial”. The problem is not a lack of clarity in the term; it is the act of triggering applicability of the regulations on an attribute of the work rather than on the act of deploying it in commerce.

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Update: Graduated to the OSI Blog

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While the Free Software/Open Source movement is based on an essential and timeless concept — that users of software should be self-sovereign in that software — the linguistic frame in which it was positioned long ago continues to have some unfortunate consequences that ironically distract from the very goals the frame sought to achieve.

Empty picture frames mounted on a wooden wall

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One of the tragedies of platform lock-in is that its victims suffer from a kind of trauma bonding where, instead of blaming the proprietary software or walled-garden platform that's locked them in, they find fault with the thing that's actually going to liberate them. That's lock-in syndrome. We've seen a lot of it lately what with the waves of Twitter Migration.

A bird-of-paradise flower pokes through the railings of the Sydney Botanical Gardens, like a prisoner looking out at freedom outside.

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I often hear about how open source is not sustainable because it is “made by volunteers”. But that's misunderstanding the nature of volunteering in open source projects. Volunteering is relative, not absolute and it is not a useful indicator of the sustainability of a project because in independent open source projects all contributors are volunteers.

A concrete wall shows a remarkably 3D shadow of a sphere, resulting from the projection of light throufgh a wire geodesic globe containing a grey glass sphere that is suspended in front of the wall. The shadow is more striking than the globe, raising the question of which is the artwork. The background is a rich sodium orange from another exhibit The shadow may seem more real than the thing itself

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Many of the arguments that turn up in the Free and Open Source Software movement(s) – between people who apparently should agree – are because of a difference of view over the appropriate degree of causality that applies to the situation. This conflict between degrees of causality actually powers many other human disagreements too.

Beware, Falling Rocks

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